A Call To Spy Film Review

Script and Screenplay rated 8 out of 10

The film is produced, written, and directed by Sarah Megan Thomas.  Inspired by a true story, Thomas has curated a screenplay from diligent research, talking with remaining family members to get accounts for real life events that have been woven into the film. Grounding the film in a tangible reality does create a few issues. First  the script  does not really figure out what type of film  it wants to be.  As a thriller , the pacing is odd so doesn’t come across  as a true thriller.  As a biopic it kind of works, however its an ensemble film and screen time is rationed across all the main cast again causing pacing issues and expedited character development. We get a film that flicks between the UK and France, spending too little time in either.  This results in a jail break scene that starts off well and then loses momentum, so we watch a game of monopoly being played. I know what they were going for, but it misses the mark. In another scene a group of spies are almost captured, but you never feel that they are at risk. The 2 hours run time may seem long, but it is nowhere near enough to convey the journey this group of people endured. A bigger story has yet to be told. All that being I love how ambitious A Call To Spy is, and what Thomas puts on screen with the budget and time  is well worth watching.

Until I watched ‘A Call To Spy’ I didn’t know anything about either Sarah Megan Thomas or Virginia Hall. As it turns out Thomas is an extremely capable actress, writer, and producer.

Virginia Hall is an American with dreams of becoming a diplomat only to be turned down due to having a wooden leg.  The newly formed SOE see an opportunity to use this brash American as the perfect spy and Virginia’s story begins.  Thomas’ portrayal shows a woman that must face the daily battle of the pain of having a wooden leg and the laser focused determination of succeeding where men had failed. Virginia Hall had a point to prove on so many levels.  Thomas is not afraid to let emotions and vulnerability play out on screen. A scene where Virginia mentally contemplates crossing the mountains whilst preparing her squeaky wooden leg is most poignant

Watching the DVD extras its clear why Katic signed on to play Vera Atkins.  She is passionate about the story being told and this enthusiasm radiates from her performance.  Katic arrives on screen sporting a quintessential 1940’s accent. It is an accent full of elocution and seems quite over the top.  We found it quite amusing until her ‘funny accent’ is addressed in the film, and all becomes clear.

Pronounced elocution aside, Katic dominates the scenes that she is in.  Schooling spies, walking the tight rope between being subservient to the dominant men in power and rightfully pushing her own forthright agenda.  Katic’s performance of Vera Atkins nails a persona that became a role model to the other female recruits.

Sound 7 Out Of 10

Provided in DTS-HD Master Audio 5.1and the surround track provides excellent ambience. Birds singing in the countryside to trains puffing at stations. The centre channel is mixed brilliantly with crisp clear dialogue

Lillie Rebecca McDonough is on composure duties and has created a measured score that reflects the film well. Its not bombastic or indeed rememberable, but it is a pleasure to listen to alongside the film.  Its orchestral tones do the job of enhancing the on-screen images very well.  Refreshingly I did not notice any other score influences. Super job.

If you wanted to listen to the score, unfortunately I have been unable locate it separately on a streaming service. I have however created a Spotify Playlist inspired by A Call To Spy

Visual Effects 10 out of 10

The visual effects are superb for film, Filmed using parts of Budapest to replicate 1940’s  Paris, the attention to detail is spot on. From the highly obvious Nazi propaganda to the subtle nuances such as shop windows, anti-Nazi graffiti or the period costumes being used.
The use of green screen is inconspicuous and explosions, bullet wounds are realistic.

Video quality 8 out of 10

The films cinematography was handled by Robby Baumgartner and Miles Goodall ( who looked after the Budapest shoot). While watching a call to spy you would not know that the film had two directors pf photography as they have perfectly complemented each’s own style,

I watched ‘A Call To Spy’ on Blu-ray, using a Panasonic Blu-Ray player and Epson projector and the picture is good. I found  the Blu-Ray to show film grain in parts but nothing terrible , just a little inconsistent.

Cinema is at its best when telling the most amazing stories. Immersing the viewer into a world that they have never been a part of; educating, entertaining making us laugh, cry, and think. Sarah Megan Thomas has crafted a film that does exactly that.  A Call To Spy immerses the viewer in the throes of WW2 in war torn France and belligerent Britain.  It introduces us to incredibly important people.  It’s no exaggeration to say that the actions performed by this small group of women went on to influence the world for years to come after the war.  Their story has not been told to the masses and it’s a crying shame.  It’s not just about the people either, A Call To Spy highlights topics like anti-Semitism in Britain and the distrust of immigrants, it shows us glimpses of life in France under the Nazis and the trauma that the French locals had to live through. All incredibly important topics to talk about.

Overall, the attention to detail that Sarah Megan Thomas has instilled on the production has to be acknowledged.  I enjoyed watching A Call To Spy, it has highlighted aspects of WW2, that I was unaware of, so on that level the film totally works.  It has also started conversations about Vera Atkins, Virginia Hall and Noor Inayat Khan. This helps to keep their memories alive. Whilst I was writing this review, I was told of some great memorials to the women and World War 2 podcast exploring key aspects of WW2 something I would never have come across on my own.

Find Out more about our ratings here

Age Rating PG-13

Release Date 2 Oct 2020

Director Lydia Dean Pilcher

Staring:
Sarah Megan Thomas as Virginia Hall
Stana Katic as Vera Atkins
Radhika Apte as Noor Inayat Khan
Linus Roache as Maurice Buckmaster
Rossif Sutherland as Dr. Chevain
Samuel Roukin as Christopher
Andrew Richardson as Alfonse
Laila Robins as Pirani
Marc Rissmann as Klaus Barbie
Mathilde Ollivier as Giselle

Runtime 2 hr 3 min

Editor for Silver Hedgehog JJ

Images IFC Films